Inherit the Wind - Character Development of Matthew and Sarah Brady Ess

Inherit the roll up - Character Development of Matthew and Sarah Brady   Films with trigger-happy legal themes generally present very dry, professional pieces with occasional moments of feature fall apartment. In the film Inherit the Wind, the head legal counsel for the prosecution, Matthew Harrison Brady, premiere-class honours degree get ons as a dynamic man of the people. He and his wife, Sarah, seem to be a perfect couple in the spotlight of American politics. both characters wear broad smiles, walk tall and proud, and sport conservative, yet swagger attire. Sarah proudly applauds in support of her husband as he addresses the townshipsfolk of Hillsboro as their lead prosecutor. However, the director and screenwriter of the film continue to wax the Bradys as a couple with a long history spacious of emotion and love. In the scene entitled Rachel Visits the Bradys, the characters of Matthew and Sarah Brady emerge as non only a political power couple, but as dickens very emotionally connected people.   The director, Stanley Kramer, uses lighting, sound, and costuming in the character development of Matthew and Sarah Brady. These theatrical production techniques accentuate the yearning dialogue between Sarah and Rachel Brown, the pr separatelyers daughter, and between Sarah and Matthew. In this scene, Rachel pays a visit to the Bradys hotel room to confront Matthew about his decision to put her on the witness stand against Bertram Cates. Instead of speaking with Matthew, Rachel and Sarah have a sizeable exchange. Matthew then enters, half asleep, to hear Rachel exclaim that she is no longer a child. After Rachels exit, Sarah and Matthew discuss the case, Matthews integrity, and their relationship. As the conversation progresses, specific ligh... ...d when he is in public. The final scene shows the couple exchanging roles, accentuated by the rising and falling slew of voices to demonstrate tension. In public l ife, Matthew erupts strong and confident but in their private life, Sarah acts as the source of reassurance. This role reversal suggests that in a relationship, one person can non always be the assertive partner, but distributively person has to be strong at different times. In this setting, the Bradys appear to comfort each other in a very raging way. Matthew becomes vulnerable and Sarah rebuilds the image he presents in their public life. The political uncover they present for the town of Hillsboro is not an accurate representation of their life together. By establishing this contrast, Kramer reveals the misperceptions that result when society assumes that public life replicates private life.   Inherit the Wind - Character Development of Matthew and Sarah Brady Ess Inherit the Wind - Character Development of Matthew and Sarah Brady   Films with blood-and-guts legal themes generally present very dry, professional characters with occasional moments of character development. In the film Inherit the Wind, the head legal counsel for the prosecution, Matthew Harrison Brady, first appears as a dynamic man of the people. He and his wife, Sarah, seem to be a perfect couple in the spotlight of American politics. both characters wear broad smiles, walk tall and proud, and sport conservative, yet in attire. Sarah proudly applauds in support of her husband as he addresses the town of Hillsboro as their lead prosecutor. However, the director and screenwriter of the film continue to develop the Bradys as a couple with a long history amply of emotion and love. In the scene entitled Rachel Visits the Bradys, the characters of Matthew and Sarah Brady emerge as not only a political power couple, but as twain very emotionally connected people.   The director, Stanley Kramer, uses lighting, sound, and costuming in the character development of Matthew and Sarah Brady. These re-create techniques accentuate the intense d ialogue between Sarah and Rachel Brown, the preachers daughter, and between Sarah and Matthew. In this scene, Rachel pays a visit to the Bradys hotel room to confront Matthew about his decision to put her on the witness stand against Bertram Cates. Instead of speaking with Matthew, Rachel and Sarah have a aright exchange. Matthew then enters, half asleep, to hear Rachel exclaim that she is no longer a child. After Rachels exit, Sarah and Matthew discuss the case, Matthews integrity, and their relationship. As the conversation progresses, specific ligh... ...d when he is in public. The final scene shows the couple exchanging roles, accentuated by the rising and falling slew of voices to demonstrate tension. In public life, Matthew appears strong and confident but in their private life, Sarah acts as the source of reassurance. This role reversal suggests that in a relationship, one person cannot always be the assertive partner, but each person has to be strong at diffe rent times. In this setting, the Bradys appear to comfort each other in a very intense way. Matthew becomes vulnerable and Sarah rebuilds the image he presents in their public life. The political march they present for the town of Hillsboro is not an accurate representation of their life together. By establishing this contrast, Kramer reveals the misperceptions that result when society assumes that public life replicates private life.